And the Oscar Goes To… Not a Clue

Currently browsing posts by Hannah Buchdahl.

Review: Mass

While an epic adventure movie like Dune is probably best seen on the biggest screen you can find, Mass is the opposite. It’s best seen in the most intimate setting you can find. Perhaps a dark quiet room where you can become immersed in the quiet drama, where nobody will see the ugly cry that may seep out near the end of the film. Mass looks and feels more like a stage play than a film, and would probably be better served in that particular venue. The setting is sparse. The silences intense. The dialogue engrossing. The story tragic, yet ultimately cathartic. A difficult watch, made watchable by four incredibly strong and moving performances.

Review: The Last Duel

Historical epics are not my cup of tea, but I was drawn to The Last Duel by the all-star cast of Matt Damon, Adam Driver and Ben Affleck. They do not disappoint, nor does the female lead Jodie Comer whose character propels the 14th Century #MeToo narrative. The action is still too brutal and bloody for my taste, and the structure dictates we live through some uncomfortable scenes multiple times, but the fact that it is based on true events makes this centuries-old story a bit more accessible. It’s impossible not to view it through a modern lens and wonder how a similar scenario would play out today — you know, when duels to the death aren’t really a sanctioned thing.

Quickie Review: Justin Bieber: Our World

Calling all true Beliebers, this one’s for you! There’s not much more to say other than Justin Bieber: Our World will reaffirm his fans’ love for Justin– the man (when did that happen!?) and the artist– and it may impress those on the fence about the Grammy-winning pop star. The Biebs comes off quite sincere in this concert film that chronicles the run-up to, and the songs performed at a groundbreaking show that took place on New Year’s Eve 2020 on the rooftop of the Beverly Hilton hotel while adhering to a slew of strict COVID-19 protocols.

Review: Venom: Let There Be Carnage

I was having one of those days… the kind that sorta deserves to be capped off with a screening of a film called Venom: Let There Be Carnage. So off I went– to a masked, limited-capacity screening of a sequel to a movie that I found pleasantly surprising in 2018. Does Venom 2 live up to its predecessor? No. Is it worth venturing into a theater to see? Probably not. Is it worth seeing if you simply must catch every movie featuring a Marvel comic book character as soon as it hits the big screen? Sure. You know who you are.

Cinema Clash Podcast: Dear Evan Hansen; I’m Your Man; The Eyes of Tammy Faye; The Guilty and more!

Since I’m seeing more films than I have time to formally review in writing, I’m sharing out the latest edition of the Cinema Clash podcast featuring yours truly – and Charlie. This way, you can hear my thoughts on a bunch of flicks and know before you go – or don’t go. This week, we’re chatting about: the film adaptation of Broadway’s award-winning musical drama Dear Evan Hansen; the German romantic psychological drama I’m Your Man (Ich Bin Dein Mensch); the televangelist biopic The Eyes of Tammy Faye; the American remake of the intense Danish crime thriller The Guilty. Plus, Charlie’s take on the family-friendly mystery horror film Nightbooks and the new sci-fi drama series “Foundation.” And we reveal the earworm that dominates episode 10 of season two of the Emmy-winning dramedy “Ted Lasso.” Tune in — and subscribe on iTunes or wherever you get your favorite podcasts!

Broadway Movie Roundup: Dear Evan Hansen; Everybody’s Talking About Jamie; Come From Away; On Broadway

Broadway is back in business, but you don’t have to brave a trip to NYC to get your musical fix. Broadway is coming to a movie theater– or streaming service– near you.

Trying to decide what, if anything, to see? Here’s a brief roundup, with my two cents on why each of these offerings has merit – the  caveat being that I am a very easy sell when it comes to movie and broadway musicals! First up: the latest Broadway musical adaptation to arrive in theaters — Dear Evan Hansen.

Review: The Eyes of Tammy Faye

If Oscar History is any judge, it doesn’t matter that The Eyes of Tammy Faye is a pretty dull film. Jessica Chastain is brilliant in it. And I suspect she will be rewarded with an Oscar nomination for best actress—and quite possibly, the award itself. The Academy loves to reward biopic ‘transformations’ and Chastain (Zero Dark Thirty, Molly’s Game) certainly disappears into the role–and makeup–of the late celebrity televangelist Tammy Faye Bakker Messner. She even does her own singing, belting out some of Tammy Faye’s signature gospel tunes.

Review: Cinderella

This latest take on the fairytale classic is actually quite entertaining and refreshingly different while still retaining a comfortable air of familiarity. Just don’t expect to hear the enduring, trademark songs of Rodgers & Hammerstein. 2021’s Cinderella features a modern twist, with modern music that includes some original songs and a bunch of covers, from Madonna to Queen and stuff in-between. The contemporary live-action film opens with a toe-tapping production number showcasing a hip array of subjects in the Kingdom of Rhythm Nation, where Ella (Camila Cabello) resides in the basement of a home with her stepmother (Idina Menzel) and step-sisters (Maddie Baillio, Charlotte Spencer). The ‘steps’ aren’t exactly evil in the tradition of most “Cinderella” tales, but they aren’t a loving, supportive bunch either.  Jealous much? 

Review: Candyman

Candyman… Candyman… Candyman… Candyman…

Say the name, or see the movie, and you’re in for a whole lot of bloodshed – and a hefty splattering of social commentary.

Quickie Review: The Night House

I rarely enjoy horror movies. They’re simply not my thing (with exceptions falling along the lines of a Poltergeist, A Quiet Place or The Conjuring). So I admit I’m not the best judge of whether it’s worth catching the unsettling, creepy ghost story put forward in The Night House. If you’re a fan of the genre, it probably can’t hurt – especially because the film is elevated by the ‘presence’ of British-American actress Rebecca Hall (Godzilla vs Kong, Christine). Hall plays Beth, a recent widow who discovers her husband led a secret life. As she seeks to unravel what triggered his sudden, unexpected death outside their dream house on a lake, Beth is beset by nightmares filled with disturbing visions and voices.