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Review: Wild Nights with Emily

The Emily of the title is the 19th century American poet Emily Dickinson, long thought to be a delicate recluse who was afraid to publish her work. But that, the film tells us, is an entirely false narrative devised for profit after her death. In fact, Dickinson was a strong and passionate woman who carried on a life-long affair with a woman who was her childhood friend and later her sister-in-law who lived conveniently next door. Played by miscast SNL alum Molly Shannon, Emily is certainly an unconventional poet, but also an early women’s rights adherent pushing for women to have the same opportunities as men and to be taken just as seriously. While it is a potentially heavy subject, the film has a light tone, which works most of the time. It’s an odd little romcom that plays off the juxtaposition of Emily’s real life with the sanitized version told by Mabel Loomis Todd (Amy Seimetz), Emily’s brother’s sly mistress, who as her de facto biographer took great liberties with Dickinson’s legacy, despite having never actually met her.