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Review: What She Said: The Art of Pauline Kael

My first experience with reading film criticism was with my mother’s New Yorker magazines. Most of what was in the magazine was too highbrow for me as an adolescent, but the film reviews by Pauline Kael were such fun to read. She was opinionated and frequently went against the consensus of the other critics who were mostly male. She had a voice that set her apart, seeing films as if she were in the audience not separated from them. This new documentary made me appreciate her even more. She was a feminist, having fought to get her foot into the boys’ club that was the film critics’ world of the 50s and 60s. She had encyclopedic knowledge of movies and wasn’t afraid to say when she thought something was derivative or a filmmaker was being repetitive, something she saw a lot in the beloved “auteur” directors of the 60s. She was loved by many and hated by many others. But even the haters admitted that she was a hell of a writer!