Currently browsing the "John Cusack" tag.

Arty Chick’s Seven Flicks: Week 9

Week Nine of films that I remember fondly. It’s amazing how many great films come to mind when I go down my cinematic memory lane. A lot of this week’s picks are from the 80s. The oldest is from 1979. And the newest from 2003. So it’s a fairly modern bunch. No black and white. No foreign films this time. We’ve got comedy, war, feminism, even a Western in the mix. Big films and indies. But all of them are highly recommended.

 

The films are: Crimes and Misdemeanors, The Thin Red Line, Silverado, Broadcast News, Ordinary People, The Station Agent, My Brilliant Career

 

Love & Mercy

I will admit right up front that I was never a fan of The Beach Boys. So I put this film off and that was a mistake. While Brian Wilson may be the central character, Love & Mercy is much more than the story of a famous boy band. It’s a sweet redemptive love story wrapped in a harrowing tale of mental illness. It stars John Cusack and Paul Dano as Wilson at different key periods in his life. And both of them deserve high praise for their portrayals of the creative genius with enormous problems. Not being a fan of the music, I was surprised by how beautifully it was put together and ultimately how much I liked this film.

Maps to the Stars

David Cronenberg has always brought us characters and situations that are unsettling. His early films were smart horror flicks like The Fly and Dead Ringers, and I thought he’d moved into his more mature years with serious dramas like A History of Violence and Eastern Promises. But Maps to the Stars feels like a step backwards or perhaps an attempt to blend his earlier and later genres into one. It is a semi-horror satire of the Hollywood film world run amok, complete with ghosts and murder and incest. Every single person in the film is only out for themselves. And if you’ve never been to LA, Maps to the Stars will make you never want to go near the place.

The Paperboy

My newspaper headline for The Paperboy would be: “Hot Mess” and not in a good, kinda campy way. It’s a creepy, sweaty melodrama set in the Florida Everglades circa 1969 — a jumble of sex and violence that never comes together into a coherent story. Director Lee Daniels, an Oscar nominee for “Precious,” was obviously going for something here, but what that was isn’t clear. What is clear is that he doesn’t shy away from scenes that will make you cringe — like the already infamous one where Nicole Kidman pees on Zac Efron, or the one where she and John Cusack mime sex acts to get each other off in a prison visiting room.

2012