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Review: The Last Vermeer

The Last Vermeer is part arty and part mainstream, with familiar elements of both a post-WWII period drama and a courtroom drama. I liked it okay, but couldn’t help feeling like I’d seen it all before. I’d certainly seen the film’s lead actor, Claes Bang, immersed in the art world before – three months ago in The Burnt Orange Heresy, and in 2017’s Palme D’Or winner, The Square. Bang always does a bang-up job in these roles, but c’mon, there are many more worlds to explore!