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The trailers and marketing for Hereafter are very misleading. It’s no more a “Matt Damon movie” than Babel was a “Brad Pitt flick”. In fact, until Damon’s character makes an appearance, you could easily mistake Hereafter for some sort of independent foreign film. It’s very much an ensemble effort, spearheaded by director Clint Eastwood, and it features three diverse plot lines that ultimately converge in a somewhat contrived but generally satisfying way.