And the Oscar Goes To… Not a Clue

Currently browsing the "Horror" category.

Spoiler-Free Review: Doctor Strange in the Multiverse of Madness

This particular Doctor Strange movie is an odd duck. It infuses traditional Marvel/MCU superhero stuff with a psychological horror vibe–and zombies–which is great if you’re a fan of director Sam Raimi’s horror franchise The Evil Dead, and not so great if you aren’t. I’m a huge fan of Benedict Cumberbatch in most any role, including Stephen Strange, so I can cut the film some slack. But horror’s really not my thing. I prefer my Avengers more grounded in reality–even if that ‘reality’ involves parallel universes and alternate versions of themselves (see: Spider-Man: No Way Home).

Quickie Review: Werewolves Within

Searching for the right flick to give you those Halloween chills? This horror/comedy based on a video game is your ticket! In it Forest Ranger Finn Wheeler (Sam Richardson, “Veep”, “Ted Lasso”) arrives in the remote town of Beaverfield in the middle of winter just in time for a series of gruesome attacks. It begins with a dog but escalates quickly and, as the title gives away, it turns out there’s a werewolf among the dwindling population of quirky townsfolk, and soon everyone is trying to figure out who it is before they’re all supper. Then the power is cut off, and there’s a blizzard.

Review: Lamb

Strange doesn’t even come close to describing this folk horror flick.  Set in a remote valley somewhere in Iceland, Maria (Noomi Rapace, The Girl with the Dragon Tattoo, Prometheus) and Ingvar (Hilmir Snær Guðnason) go about their lives in relative silence running their sheep farm. But one day as the sheep are lambing, it all changes. Maria brings one super adorable lamb into their house and treats it as you would an infant. Soon Ingvar is moving a crib into their room and they’re both parenting the little one. And lest you think they’re total weirdos, it turns out that little Ada is in fact half-human. And suddenly their sad existence turns sunny.

Review: Candyman

Candyman… Candyman… Candyman… Candyman…

Say the name, or see the movie, and you’re in for a whole lot of bloodshed – and a hefty splattering of social commentary.

Quickie Review: The Night House

I rarely enjoy horror movies. They’re simply not my thing (with exceptions falling along the lines of a Poltergeist, A Quiet Place or The Conjuring). So I admit I’m not the best judge of whether it’s worth catching the unsettling, creepy ghost story put forward in The Night House. If you’re a fan of the genre, it probably can’t hurt – especially because the film is elevated by the ‘presence’ of British-American actress Rebecca Hall (Godzilla vs Kong, Christine). Hall plays Beth, a recent widow who discovers her husband led a secret life. As she seeks to unravel what triggered his sudden, unexpected death outside their dream house on a lake, Beth is beset by nightmares filled with disturbing visions and voices.

Review: La Llorona

This political horror film takes its title from a Meso-American folkloric legend about the ghost of a woman who roams waterfront areas mourning her drowned children. In the film La Llorona comes into the lives of a powerful family as they’re sequestered in their house and slowing pulls the patriarch’s very dark past to the surface. Set in Guatemala, the film centers on Enrique (Julio Diaz), a retired general who has been tried and convicted for the genocide of the country’s Mayan-Ixil population during the civil war there. Just after his conviction though, a higher court overturns the it, but the public is up in arms. And Enrique and his family become prisoners in their own home. All the indigenous servants except one quit, fearing for their safety. And then a young woman shows up at the door, the new maid. But who is she really?

Review: Koko-di Koko-da

Just in time for the holidays comes a truly creepy flick from Sweden about a couple grieving the loss of their young daughter and their crumbling marriage who go on a camping trip and get caught in a Groundhog Day loop of a murderous fairy tale. Every night Elin (Ylva Gallon) wakes Tobias (Leif Edlund Johansson) to say she needs to go outside the tent and pee, and every night a trio of monsters is outside just waiting to prey on her and him. But night after night Tobias awakens with a bit more information and a plan to get away from the horrors inflicted on them the nights before. It’s all allegory of their grief and their broken relationship and as the violent cycle continues they’re ultimately able to find their way back to each other. It’s a very odd film, definitely not for mainstream moviegoers, and frustratingly slow.

Cinema Clash Podcast Reviews: Holidate, Come Play, The True Adventures of Wolfboy

Happy Halloween and Pre-Election Day Weekend! On this quaranstream edition of the Cinema Clash, I chat about Holidate, the bawdy holiday romcom now on Netflix, Charlie talks about the horror movie Come Play (which I opted to skip ’cause it’s really not my genre of choice), and we both weigh in on a quirky coming of age indie called The True Adventures of Wolfboy.  Tune in!

Quickie Review: Antebellum

Antebellum could have been a seminal film for the times – if the story made any sense. It aims high, but gets bogged down in a metaphorical morass about past and present issues relating to race, class and gender. The film is billed as a high-concept psychological thriller/horror movie from the producers of the Jordan Peele gems Get Out and Us. But it fails to measure up, and the ending is far from satisfying. Fortunately, it was under two hours so the time did not feel like a total waste. More like a disappointment.

Quickie Review: The Rental

The setup is all there for your usual thriller, with a few of the standard horror tropes thrown in. A couple of couples rent a house for the weekend in a very remote, yet gorgeous seaside location. There’s a caretaker who immediately comes off as kind of creepy and racist, but they just shrug it off and get on with their fun getaway, star gazing, doing a bit of ecstasy, hanging in the hot tub, hiking. But when a late night hookup with the wrong partner is about to be exposed by someone who filmed it with some cameras hidden around the house, everything spins out of control. And people start dying.