Currently browsing the "Comedy" category.

Review: Thunder Force

The latest action-adventure comedy from celebrity couple Ben Falcone and Melissa McCarthy is not exactly a Thunder Force to be reckoned with. It’s barely watchable. So don’t be fooled by its cute trailer and impressive roster of actors. Thunder Force is a dud that takes way too long to get to what might be considered the good stuff if you’re in a forgiving mood… and happen to have a Netflix account… and managed to find some escapist value in critical bombs like Superintelligence, Tammy, Life of the Party, and the The Boss — all starring McCarthy and co-written and/or directed by Falcone. Seems their talents are far better served by other people’s material. And Octavia Spencer? The Academy-Award winner seemed to have far more fun playing super bad in the 2019 creepy horror movie Ma, and that wasn’t exactly a film to write home about.  Here, she’s a newly-minted superhero out to save the world — or at least Chicago — from genetically-altered supervillains known as “miscreants”.

Arty Chick’s Seven Flicks: Week 12

This week I chose a comedy thriller, a political thriller, a classic screwball comedy, a wartime romance, a storybook romance, a Japanese existential drama, and a loving ode to an Italian childhood.

All of them received Oscar nominations and several of them were big winners. Three of them were up for the Best Foreign Film award.

 

This week’s picks are: Sleuth, My Man Godfrey, Casablanca , The Princess BrideWoman in the Dunes, Z , and Amarcord .

 

 

Review: Dark Web: Cicada 3301

This cyber-comedy/thriller takes its premise from a very real internet mystery. According to Wikipedia: “Cicada 3301 is a nickname given to an organization that, on three occasions, has posted a set of puzzles to recruit codebreakers from the public … It has been called ‘the most elaborate and mysterious puzzle of the internet age’ and is listed as one of the ‘top 5 eeriest, unsolved mysteries of the internet.'”  Connor (Jack Kesy) is just a brilliant hacker working as a bartender when he stumbles into the Cicada mystery. With the aid of hot librarian and fellow hacker Gwen (Conor Leslie, “Titans”, “Man in the High Castle”) and his best friend and art expert Avi (Ron Funches, Trolls, “Black-ish”) he follows the clues, outruns the NSA who are also trying to get to Cicada, gets in more than a few tight spots, and finally gets an invite to Cicada’s exclusive party in London. Of course it isn’t everything he hoped. 

Arty Chick’s Seven Flicks: Week 11

Most of this week’s films come from the 80s. There’s a jewel heist, a race riot, a dystopian bounty hunter, an academia story, three murderers, a couple of divorces, and a lot of intrigue.

They received 10 Oscar nominations between them, and a lot of other accolades.

This week’s films are:  A Fish Called Wanda, , Do the Right Thing, Blade Runner, Educating Rita, Dance With a Stranger, Brother’s Keeper, His Girl Friday.

 

 

 

Review: Keep an Eye Out

One of last year’s most strangely entertaining films was Quentin Dupieux’s Deerskin about a man’s bloody obsession with a deerskin jacket.  Dupieux is back this year with another black comedy, this time a police procedural with a decidedly absurdist twist. There’s a murder and a witness/suspect who’s being interrogated, and a death in the room that the witness/suspect covers up while the police inspector is out of the room, and some weird time manipulations in the flashbacks of his testimony. And it’s all played pretty deadpan. And it’s strangely entertaining in a trés French sort of way.

Review: Coming 2 America

Hard to believe it’s been more than 30 years since Crown Prince Akeem Jaffer (Eddie Murphy) and his sidekick Semmi (Arsenio Hall) fled the palace – and an arranged marriage – in the wealthy African nation of Zamunda, and landed in Queens, New York, on a comical quest for true love. The 1988 comedy classic Coming to America was a real gem. Its sequel, Coming 2 America, is more like cubic zirconia. It has a bit of sparkle but pales against the original.

The trip is still worth taking, for nostalgia’s sake and a few good laughs. Just keep the expectations in check.

Arty Chick’s Seven Picks: Week 10

This week is heavy on movies about couples. They include rom-coms and complicated relationship stories, and the characters range from criminals to musicians to politicians, from kings to bakers. The genres include classic dramas, and film noir, and brilliant satire. And there’s a good dollop of sex, for good measure.

They’re mostly from the 80s and 90s, though one is from the 60s. And something they all (except one) have in common is that they were nominated for a lot of Oscars, and won quite a few.

 

The films are: Moonstruck, Kiss of the Spider Woman, Body Heat, Nashville, Out of Sight, Four Weddings and a Funeral, and The Lion in Winter

Review: The Independents

There are no big stars in this musical dramedy. It’s a total indie flick. And it’s a lot of fun. It tells the tale of three singer/songwriters all struggling to find a way forward, who bump into one another by chance and team up for one last stab at making it in the music world. It’s no A Star is Born take though. It’s a heart-felt buddy movie with some fine three part harmonies and well-drawn characters.

Quickie Review: Disney’s Flora & Ulysses

I’m not exactly the target demo, but I thoroughly enjoyed Disney’s Flora & Ulysses. It’s a family adventure comedy based on the Newbery Award-winning book “Flora & Ulysses: The Illuminated Adventures” by Kate DiCamillo (whose novel “Because of Winn-Dixie” was turned into a movie in 2005). Flora & Ulysses stars Matilda Lawler as 10-year-old Flora, a highly-imaginative, self-professed cynic who saves a squirrel (CGI) from a tragic accident involving a vacuum cleaner. The squirrel is “born anew” as a rodent superhero with powers that include strength, flight, poetry, and a knack for antics that will unite Flora’s fractured family and inspire a message of hope.

Review: Barb and Star Go to Vista Del Mar

Barb and Star Go to Vista Del Mar is an extremely campy comedy that plays like an overlong skit on Saturday Night Live. It stars SNL alum Kristen Wiig (Wonder Woman 1984), and Annie Mumolo as longtime friends who embark on the adventure of a lifetime when their dream jobs at Jennifer Convertibles go belly-up. They decide to leave their small Midwestern town for the first time ever, to “find their shimmer” at a cheesy resort in (fictional) Vista Del Mar, Florida – a hot spot for singles in their “middle years.” There they meet the hunky sad sack Edgar Pagét (Jamie Dornan, Wild Mountain Thyme, Synchronic, Fifty Shades), who’s been sent by an evil villainess to unleash killer mosquitos on Vista Del Mar, as part of a nonsensical revenge plot. Did I mention this movie is really quite silly? I’d venture to call it silly bordering on stupid, if not for the flashes of funny and splashes of heart that offer escapist redemption.