And the Oscar Goes To… Not a Clue

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Review: The Good Boss

Javier Bardem is one of my favorite actors. I would pay to watch him read a phone book. (Do they still make those?) He is definitely one of the most versatile actors around. From his complex villains in No Country for Old Men and Skyfall to his achingly sensitive performances in Biutiful and Before Night Falls, he’s always a joy to watch. In his latest, The Good Boss, a Spanish workplace satire, he plays the seemingly benevolent boss Julio Blanco, owner of an industrial scale factory who is trying to make everything look perfect in order to win a prestigious prize that could help his business. But a series of misfortunes befall him, and he scrambles to get everything back into balance before the committee makes their visit to decide his fate, revealing his true nature along the way.

Quickie Review: See How They Run

Loved Knives Out and can’t wait for the sequel? See How They Run may help fill the time. It’s sorta Knives Out light… a comical murder mystery featuring an A-list cast led by Sam Rockwell (Three Billboards Outside Ebbing, Missouri, Jojo Rabbit), Saoirse Ronan (Little Women, Lady Bird) and Adrien Brody (The Pianist) in a farcical blend of fact and fiction. A whodunit within a whodunit.

Review: The Bad Guys

The Bad Guys… aint so bad. And neither is their movie. The film is basically an animated animal version of Oceans 11. A heist movie for the under 12 set, paced to keep both kids and adults at least moderately entertained. The plot revolves around a menagerie of outlaws who get a kick out of grand larceny. Their lifestyle choice is more about the camaraderie than the crime. They just happen to be very good at being bad. Until the law finally catches up with them and they are forced to rethink what they do, who they are, and what they want to be. Good? Bad? A little of both perhaps?

Review: Everything Everywhere All At Once

At the center of this wild ride of an action/sci-fi flick is Chinese immigrant mom Evelyn (Michelle Yeoh, Crazy Rich Asians, Shang-Chi) whose life definitely took a wrong turn somewhere. Stuck in a boring marriage to Waymond (Ke Huy QuanGoonies), running a coin-op laundry, regularly tangling with her lesbian daughter Joy (Stephanie Hsu, “The Marvelous Mrs. Maisel”) who disappoints her again and again, and on her way to an audit by an unforgiving IRS agent (Jamie Lee Curtis), she’s woefully unprepared for the role suddenly thrust upon her as the savior of the universe. But she really has no choice in the matter.

Review: Better NATE than Ever

The DUMBO in the room with Disney’s family-friendly musical dramedy Better NATE Than Ever is the irony of timing–as the film’s release just happens to coincide with the passage of Florida’s ridiculous ‘Don’t Say Gay’ bill. Nate is a charming little message movie that draws from the likes of Billy Elliott, Adventures in Babysitting, and Ferris Bueller’s Day Off— if Ferris were in middle school, and a musical theater geek struggling to find his place and his people. That place is Broadway baby!

Review: I Want You Back

While the just-released Marry Me boasts some major global starpower, the just-released I Want You Back is the smarter choice for a circa Valentine’s Day romantic comedy. It’s quirky, engaging and refreshingly clever. And you can watch it on Amazon Prime Video! I Want You Back is a post-breakup meet cute about 30-somethings Peter (Charlie Day) and Emma (Jenny Slate) — two strangers who find each other crying in the stairwell of their Atlanta office building just after being dumped by their significant others. The two quickly bond over their grief, declare themselves “Sadness Sisters,” engage in some drunken karaoke, and then hatch a plan to break up their exes’ new relationships and win back the former love of their lives. Theirs is a tale of desperation fueled by social media envy.

Review: Marry Me

If you’ve never seen Notting Hill (1999), I strongly advise you watch that particular romcom before stepping into a theater– or onto a Peacock (network)– to see Marry Me. The premise is similar but the execution of the Julia Roberts-Hugh Grant classic is sooooo much better. If you’ve already seen Notting Hill (a few dozen times), then you will be forgiven if drawn into the fluffy imitation starring the likeable duo of Jennifer Lopez and Owen Wilson.

Review: Licorice Pizza

This quirky coming-of-age rom-com was one of my favorite films of the year. The leads, Alana Haim and Cooper Hoffman, are unknowns, but there are some fabulous cameos from A-listers, particularly Sean Penn and Bradley Cooper. It’s a quietly unfolding love story with an older woman that takes place as a young man hustles his way around town and into her heart. 

Review: Red Rocket

Director Sean Baker (The Florida Project, Tangerine) loves stories and characters that Hollywood regularly ignores. And his newest dark comedy Red Rocket continues to plumb the depths of America’s underclass. It’s the story of Mikey Saber, a once high flying porn star whose life has taken a downward turn and ends up back in Texas City begging his ex-wife to take him in while he figures out his next move. Simon Rex who was once a MTV V.J. and went on to act in a series of forgettable films steals the show as Mikey, a charming and self-centered hustler, proud of his porn awards and planning a return to California and his place in the biz. And that plan includes Strawberry (Suzanna Son in a breakout role), a 17-year-old girl he falls for at the local donut shop. Unfortunately, Mikey is not half as brilliant is he believes himself to be.

Review: Being the Ricardos

Aaron Sorkin (The Trial of the Chicago Seven, The Social Network) is the undisputed master of clever, snappy dialogue.  And here he turns his gift to telling the story of the It Couple of the 50s — Lucille Ball and Desi Arnaz. He focuses the narrative on one particular week in 1953 when their world came close to crashing down because of a couple of media stories. Nicole Kidman and Javier Bardem star as the power couple prepping for their weekly “I Love Lucy” episode while scrambling to make one huge (and one small) scandal disappear. And while that story is unfolding the backstory of their relationship comes out in flashbacks. Sadly though it should be a lot more satisfying that it ends up being.