Currently browsing the "Romance" category.

Review: Decision to Leave

This Korean romantic thriller from Park Chan-wook (Handmaiden, Snowpiercer) begins with the classic set-up. Weary detective Hae-joon (Park Hae-il ) arrives at a crime scene. A man is dead. But was it an accident or could it be murder? The police want to close the case and call it an accident, but it begins to look like his young, beautiful widow Seo-rae (Wei Tang, Lust, Caution) could be a murder suspect after she comes to the station. She has an alibi and Hae-joon wants to believe her. Still something is off. And as the attraction grows between them while he continues his investigation, the question of whether she is a femme fatale seducing him to get away with murder or her feelings for him are real plagues him. It’s a slow twisty story. And though it is probably a bit longer that it needs to be, it’s a satisfying and engrossing murder mystery.

Review: Ticket to Paradise

Ticket to Paradise is the cinematic equivalent of a mindlessly entertaining ‘beach read’; a PG-13-friendly big screen adaptation of almost any ‘second chance at love’ romance novel; a Netflix or Hallmark romcom pleasantly suitable for on demand viewing or streaming… except…

It has Julia Roberts and George Clooney. George Clooney and Julia Roberts. Two Academy Award winners and longtime friends and collaborators (Oceans 11&12, Confessions of a Dangerous Mind) teaming up for their first romantic comedy together. And it’s only available in theaters (initially).

Review: Marry Me

If you’ve never seen Notting Hill (1999), I strongly advise you watch that particular romcom before stepping into a theater– or onto a Peacock (network)– to see Marry Me. The premise is similar but the execution of the Julia Roberts-Hugh Grant classic is sooooo much better. If you’ve already seen Notting Hill (a few dozen times), then you will be forgiven if drawn into the fluffy imitation starring the likeable duo of Jennifer Lopez and Owen Wilson.

Review: Licorice Pizza

This quirky coming-of-age rom-com was one of my favorite films of the year. The leads, Alana Haim and Cooper Hoffman, are unknowns, but there are some fabulous cameos from A-listers, particularly Sean Penn and Bradley Cooper. It’s a quietly unfolding love story with an older woman that takes place as a young man hustles his way around town and into her heart. 

Review: West Side Story

If anyone can get away with doing a new film version of West Side Story— without really changing the story or the era it’s set in– it’s Steven Spielberg. Here, he delivers a solid adaptation/reimagining that feels fresh while also paying homage to the original 1961 award-winning classic. Lest you’ve forgotten, West Side Story is itself an adaptation– of Shakespeare’s “Romeo and Juliet,” the tragic tale of star-crossed lovers whose deaths ultimately reconcile their feuding families. In West Side Story, the star-crossed lovers are Tony (Ansel Elgort) and Maria (Rachel Zegler), caught in a dispute between rival gangs, the Jets and the Sharks, in 1950s New York City.

Nashville Film Festival Rundown

This was my first time (virtually) attending the Nashville Film Festival.  It is close enough for me to drive over, but that was not possible this time around. They had a great slate of films spread over a week. But sadly a lot of the films I’d have loved to see were only available in person, mostly the big prestige flicks. Nevertheless, I did get to see quite a few worthy films from the comfort of my couch. Below is my rundown.

The films are: Brian Wilson: Long Promised Road; Fanny: The Right to Rock; Everybody is Looking for some Light; Poser; Leftover Feelings: A Studio B Revival; 7 Days; Window Boy Would Also Like To Have A Submarine; Potato Dreams; Porcupine; The Good Traitor; Huda’s Salon; Green Sea; Ayar; Luzzu.

Arty Chick’s Seven Flicks: Week 15

What a group of films I have for you this week! There’s an end of the world love story set in Los Angeles and a twisted sister rivalry in old Hollywood. I’ve included the quintessential DC political drama and an Italian Fascist-era classic. And there are 3 musicals: one set in Nazi-era Berlin, another about a doomed love in France, and the last, a Chinese love triangle on a film set.

 

The films are: Miracle Mile ,What Ever Happened to Baby Jane, All the President’s Men, Cabaret, The Conformist, The Umbrellas of Cherbourg, and Perhaps Love.

Review: Take Me Somewhere Nice

First time writer/director Ena Sendijarević is a Bosnian refugee raised in Holland and her coming-of-age road trip movie is informed by that detached perspective. It’s the story of Alma (Sara Luna Zoric), still a teen, but already grappling with womanhood. She’s a Dutch Bosnian who heads back to her homeland to see the father she never knew who’s in the hospital dying. She’s counting on her cousin Emir (Ernad Prnjavorac) to help her out, but he’s got other things to do, sort of. However, his friend Denis (Lazar Dragojevic) takes an immediate interest in her, up to a point. But when neither of them will take her to see her father she hops a bus, but gets left at a rest stop, losing her suitcase and her money. And she suddenly becomes dependent on the kindness of Bosnian strangers. And as she faces one debacle after another she moves closer and closer to finding herself.

Arty Chick’s Seven Flicks: Week 14

This week I chose films from the 40s, 50s, 60s, 90s, and 00s. Two are from the same director. They take place in Rome and Paris and Berlin and Tokyo and Washington. Several of them are considered to be the greatest films of their genres. There’s comedy, political satire, civil unrest, a hitman double-cross, and what we do for those we love is a recurring theme.

This week’s films are:

 Bicycle Thieves,  Dr. Strangelove,  Lost in Translation,  Run Lola Run,  La Haine,  Le Samourai, and  Umberto D.

Review: Undine

This romantic drama from director Christian Petzold reunties actors Paula Beer (Franz) and Franz Rogowski who starred together in his film Transit a couple of years ago. She plays Undine, a historian in a Berlin museum who lectures select audiences about the city’s urban design. He’s Christoph, a commercial diver who meets her just after she’s been dumped by her current boyfriend (Jacob Matschenz, “Charité”) who she’s told, “If you leave me, I’ll have to kill you.” In a well-known European folk tale, Undine is a water nymph who who becomes human when she falls in love with a man but has to kill him and return to the deep if he is unfaithful to her. In the film, Undine slowly reveals her true self through a beautiful and bittersweet fantasy-tinged love story.