And the Oscar Goes To… Not a Clue

Currently browsing the "Sequel" category.

Review: TOP GUN: MAVERICK

As sequels 30+ years in the making go… TOP GUN: MAVERICK delivers at mach speed. The high-adrenaline action drama is like a remake, homage and sequel all rolled into one. If you’re like me and can recite most every line of the 1986 classic, then you’ll feel very much at home with the pacing, characters, and latest shenanigans of fearless Naval aviator Capt. Pete “Maverick” Mitchell (Tom Cruise).

“Son, your ego’s writing checks your body can’t cash.” “I feel the need; the need for speed.” “Negative, Ghost Rider, the pattern is full.” “You can be my wingman anytime.” I could go on… but I digress! The dialogue in TG: MAVERICK may not be quite as quotable as those particular gems, but it’s close enough to elicit a chuckle, lump in the throat, or a flash of memory–seemingly right on cue. “Talk to me Goose.”

Review: Venom: Let There Be Carnage

I was having one of those days… the kind that sorta deserves to be capped off with a screening of a film called Venom: Let There Be Carnage. So off I went– to a masked, limited-capacity screening of a sequel to a movie that I found pleasantly surprising in 2018. Does Venom 2 live up to its predecessor? No. Is it worth venturing into a theater to see? Probably not. Is it worth seeing if you simply must catch every movie featuring a Marvel comic book character as soon as it hits the big screen? Sure. You know who you are.

Review: Candyman

Candyman… Candyman… Candyman… Candyman…

Say the name, or see the movie, and you’re in for a whole lot of bloodshed – and a hefty splattering of social commentary.

Review: The Boss Baby: Family Business

“What happens on the playground stays on the playground.” Lines like this are what made the first Boss Baby a cute little hit in 2017, and what makes its sequel, The Boss Baby: Family Business easily watchable now for kids and adults. There is a caveat however. While Boss Baby 2 is entertaining enough for a family film night, it’s no Boss Baby 1. The magic is gone – largely because we already know the drill. And, there’s simply not enough (for my taste) of the bitterly sarcastic talking wizard alarm clock “Wizzy”!

Review: Coming 2 America

Hard to believe it’s been more than 30 years since Crown Prince Akeem Jaffer (Eddie Murphy) and his sidekick Semmi (Arsenio Hall) fled the palace – and an arranged marriage – in the wealthy African nation of Zamunda, and landed in Queens, New York, on a comical quest for true love. The 1988 comedy classic Coming to America was a real gem. Its sequel, Coming 2 America, is more like cubic zirconia. It has a bit of sparkle but pales against the original.

The trip is still worth taking, for nostalgia’s sake and a few good laughs. Just keep the expectations in check.

Review: Wonder Woman 1984

Wonder Woman 1984 is the first movie released mid-pandemic for which I was sorely tempted to mask up and venture into a theater. Really glad I didn’t. Lasso of truth: WW84 is okay, but falls far short of its predecessor and is, most definitely, not worth risking your life for. It’s simply too long and meandering in plot to fully satisfy all but those desperately hungry for a superhero movie. I thought I was. Now I’m not so sure! I didn’t dislike WW84; but I was disappointed.

Girl Power – in front of and behind the camera – can only take you so far. Pieces of the story are good. They just don’t hang together all that well. The movie is too heavy on the messaging (Don’t lie. Greed is bad. Most people want to be good. Be careful what you wish for. Truth is all there is.) and too light on the superheroics. I’m all for Diana Prince living a double life, but aren’t we here mostly to see Wonder Woman doing her thing? Wonder Woman 1984 needed more Wonder Woman!

Netflix Picks: The Life Ahead for a good cry; Other stuff for escapist fluff

I helped myself to a triple serving of Netflix this week and I got it all – a healthy protein, (The Life Ahead), a tasty side dish filled with empty calories (The Princess Switch: Switched Again) and a  dessert (Jingle Jangle: A Christmas Journey) that was good, if not particularly memorable. The Italian drama The Life Ahead is the strongest of the three – by far. But each has its place, depending on your mood. In a nutshell, The Princess Switch sequel is for everyone who saw the 2018 Christmas romcom starring Vanessa Hudgens in a dual role. This time around, she plays three lookalike characters. It’s easy breezy fluff. Jingle Jangle has a bit more heft as a family-friendly Christmas musical fantasy film with a congenial cast and fantastical set and wardrobe. And The Life Ahead has legendary actress Sophia Loren in her first feature film role in a decade. At 86, she’s still got it.

Review: Borat Subsequent MovieFilm

I’m just not that into Borat. I wasn’t in 2006 when Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan put Sacha Baron Cohen’s unique brand of political satire on the cinematic map, nor now, 14 years later, with his admittedly timely “sequel”, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan. Fortunately for the British actor and comedian (who I thoroughly enjoyed as Abbie Hoffman in The Trial of the Chicago 7 and “Master of the House” in Les Miserables), he does not need me to like his Borat character. Enough others do. And they will surely lap this up – in all its crude glory. Ironically, I was about to dump out of the movie – until Donald Trump and Rudy Giuliani began firing off obnoxious preemptive tweets about Giuliani’s rather embarrassing “cameo” and how the film surely manipulated his actions. So of course I had to keep watching! Sure it’s a set-up, but hey, you reap what you sow. Ick.

Review: Bill & Ted Face the Music

Talk about raising the stakes! In 1989, Bill & Ted – informed by a visitor from the future that they were destined for musical greatness – went on a most Excellent Adventure through time, to save themselves from a failing grade in high school history. In 1991, those same metalhead slackers went on a Bogus Journey involving The Grim Reaper, robotic duplicates, and a Battle of the Bands. Now – 25 years later – Bill S. Preston (Alex Winter) and Ted ‘Theodore’ Logan (Keanu Reeves), aka “Wyld Stallyns,” must write the song that will save the entire universe – in the next 75 minutes! Fortunately, they still have access to their time-travel phone booth, and they have kids old enough to help: Bill’s daughter Thea (Samara Weaving) and Ted’s daughter Billie (Brigitte Lundy-Paine). And let’s just say – the apples don’t fall far from the tree.

Review: Bad Boys For Life

“Bad boys, bad boys, whatcha gonna do…?” Gonna make a movie and a sequel or two.

It all began in 1995, with Bad Boys, starring Will Smith and Martin Lawrence as two Miami narcotics detectives who live by the motto, “Ride together. Die together.” Then came Bad Boys II in 2003, with more of the same. And now, there’s Bad Boys For Life, more of the same – again – with a slightly twistier twist than its immediate predecessor. In other words, you know what you’re in for with this franchise: Two longtime friends who drive each other crazy also have each others’ backs through a barrage of violence, comedy, drama, car chases, motorcycle chases, helicopter chases, bloodshed, bromance, and collateral damage.