And the Oscar Goes To… Not a Clue

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Quickie Review: Fatale

When a Hilary Swank movie (Million Dollar Baby, Conviction, Boys Don’t Cry) rolls out this time of year, you’re inclined to think – Oscar bait? I know I did – without knowing anything about Fatale. Lesson learned. Timing isn’t everything – especially during a pandemic. The only award Fatale should be up for is a Razzie, for trying soooo hard to be Fatal Attraction. The performances are solid – elevated by Swank’s presence – but Fatale itself is purely middle of the road material. It’s a psychological thriller/murder mystery that relies heavily on its melodramatic score to intensify the convoluted stakes. It also attempts to pull racial injustice into the mix, though that message too gets lost in the muddled plot.