Currently browsing posts by Jill Boniske.

Quickie Review: Queen Marie

Queen Marie tell the story of Queen Marie of Romania and her work as a diplomat at a crucial time in the country’s history. Born in England, the granddaughter of Queen Victoria, she married King Ferdinand I and was a very popular queen. But following World War One, the country was devastated and their Ambassador to the Paris Peace Talks of 1919 could not get the major powers to hear his plea for help in reunifying the country and sending aid. And so Marie headed to Paris and as the media followed her everywhere, she was able to bring her country’s concerns to the powers that be. It’s a great story, but sadly the film doesn’t really do it justice.

Quickie Review: About Endlessness

This Swedish film is less a single narrative than a walk through an absurdist museum, stopping to view a series of living tableaux, and then wandering on to the next. Some have a profound effect on you and some have you thinking, as a friend quipped as we strolled through an actual museum last week, “Life’s too short.” The film is from Roy Andersson, a famous art house director, and screams THIS IS ARTY!  It’s definitely not a movie for the mainstream crowd.

Review: The County

At the center of this Icelandic drama is Inga (Arndís Hrönn Egilsdóttir), a widow who’s been left to run an isolated dairy farm mired in debt. It’s not impossible to run it on her own since the whole place has been roboticized. But she is alone and surprised to find how badly she and the other farmers are being treated by the co-op they’re all members of.  And as she finds out more and more about the heavy handed way the head of the co-op has been running things, she gets more and more outraged.  She takes to the Internet and calls out the corruption and the leader himself. And at first it creates a rift between the farmers, but Inga’s got nothing to lose and slowly she wakes the rest of the farmers. The County is a #girlpower drama and Inga is an Icelandic Frances McDormand take-no-sh*t heroine.

Arty Chick’s Oscar Ballot

Update: I began my Oscar viewing thinking the show was fun and creative, but it went totally off the rails about half way through and ended in the most abrupt and confusing way possible, mostly because I think they assumed that Chadwick Boseman was going to win and they’d go out on an emotional note, and then he didn’t. Please, please next year, make it a show worth watching.  As for my ballot, I knew going in that I wasn’t going to get a lot of them right, and I was entirely correct! But I did get those surprises I asked for.  I only got 10/23, and I stand by my choices. I’ve annotate my original with the winners *bolded*.  😊. 

Between the two of us , we saw most of the films that are nominated this year and reviewed most of them here at Chickflix, so if you’re filling out a ballot (here’s one you can download), you can use this to read up on all the ones you might have missed, though we did miss a few. But it’s also my ballot, with my picks *bolded*. I’ll say right up front, I know a lot of my choices are non-mainstream and I won’t win any pools with this ballot, but I’m okay with that!

So happy Oscars! Here’s hoping the producers pull off a creative and entertaining pandemic-limited show. And I am hoping for a few surprises in the voting, too.

 

Tune in Sunday April 25, 2021 at 8pmET/5pPT on ABC.

Arty Chick’s Seven Flicks: Week 13

This week’s picks are heavy on big name directors: Louis Malle, Akira Kurasawa, Volker Schlöndorff, Ingmar Bergman, Billie August, Hal Ashby, and John Huston. Many of these are their first films and one is the director’s final film. And only one is a comedy. They hail from France, Germany, Sweden, Denmark and Hollywood. Most of them were Oscar nominees, and many of them winners.

Except for one they’re from the 70s and 80s.

The films are: Lacombe Lucien, Dersu Uzala, The Tin Drum, Fanny and Alexander, Pelle the Conqueror, Harold and Maude, and The Maltese Falcon. 

 

Review: My Octopus Teacher

With the Oscars just a few days away, I’m trying to catch up on all the ones that slipped by. I’d heard about My Octopus Teacher  from friends, but thought they must be exaggerating when they said they LOVED IT! I mean a movie about a man’s relationship with an octopus. Really? Well, now I get it. It is amazing filmmaking! And it’s in the running for Best Documentary for good reason. It’s a beautifully shot, touching story that teaches us all a thing or two about a creature we probably haven’t give much credit to for its intelligence and ability to communicate, and also about how we humans miss out by giving short shrift to so many fascinating creatures all around us.

Oscar Nominated Shorts 2021

 

The Academy Awards show will take place this year on Sunday, April 25th, much later in the year than usual after it was pushed back 2 months because of the pandemic. As we get ready to fill out our ballots, the shorts are always the big question. So here’s a quick run-down on all three categories: Animation, Documentary, and Live Action.

Review: Slalom

Competitive sports are hell on the body and the mind. Even more so when you’re a teenager with no support system. In Slalom, Lyz (Noée Abita) is an ambitious and talented young skier who eyes the fulfillment of her dreams when she’s accepted at a prestigious ski training school in the French Alps. She’s just 15-years-old and still in high school, and pretty naive about the world. But ski pro-turned-coach Fred (Jérémie Renier) sees something in her and takes her on as his special case, training her hard and pushing her to be the best. And it works. She starts winning all the big prizes. But that’s not all he wants from her. He’s a predator, a control freak, and a sleaze. And she’s too young to have to deal with that, especially when her mother is nowhere to be found. Writer-director Charlène Favier, herself a former competitive skier, says the film isn’t exactly autobiographical, but it depicts the uneven power dynamic between athletes and their coaches that can and has crossed the line all too frequently in the sport. It’s a powerful #metoo film with great performances.

Review: Quo Vadis, Aida?

Talk about a film that’s hard to watch! This Oscar nominee from Bosnia and Herzegovina tells the horrifying story of the days leading up to the 1995 massacre of 8,000+ Bosnian Muslim men and boys from the town of Srebrenica. The central character is Aida (Jasna Duricic), a school teacher from the town and also a translator for the UN peacekeeping forces there during the wars that tore apart the former Yugoslavia. When the Bosnian Serbian army rolls into town, despite the fact that the United Nations had declared it a UN safe area two years earlier, the Muslim citizens flee to the nearby UN camp looking for shelter and safety. Aida’s husband and sons are among those fleeing. But as she can see from inside, the UN troops are left high and dry by the UN command in New York, and they’re outgunned by Serbian Gen. Ratko Mladic (Boris Isakovic) and his army. And as the time ticks by Aida does everything she can to save her family, though if you know the history, you know it cannot end well.

Review: TINA

To say that Tina Turner is a music icon is a huge understatement. She’s the original Queen of rock & roll and a force of nature. I was too young to appreciate her when she was with Ike and first made her name.  But when she made her comeback after leaving him in the 80s, I saw her on stage and she was electrifying! She was pushing 50, but she owned that stage, strutting up and down stairs in platform heels with the energy of someone half her age. I was in awe and kind of in love.  Not only was she a performer like no other, but her stage presence was that of a kind person who adored pleasing us all.  This new documentary from Oscar-winning directors Daniel Lindsay and T.J. Martin leads its audience through her turbulent life and career through interviews with Tina, and her friends and family, some never before seen video, and fabulous performance footage that makes you love her all the more. It’s the story of one of music’s greatest female performers who thankfully rose from the ashes after years in a violent relationship.