Currently browsing the "Catherine Deneuve" tag.

Review: The Truth (La Vérité)

Director Hirokazu Koreeda’s follow-up to his award winning Shoplifters could not be more different. No longer set in his home country Japan, The Truth is a mother-daughter drama set in a lovely Paris house where an aging actress and her grown daughter come together for the launch of the mother’s memoirs. That the mother is played by the inestimable Catherine Deneuve and the daughter by the equally talented Juliette Binoche makes it a pleasure to watch, despite its fairly well-trodden storyline.

Review: The Midwife

France’s two greatest female stars unite in this bittersweet drama about unfinished relationships. Catherine Deneuve is hard-living Béatrice, who’s been living out of a suitcase for decades making a living as a gambler. She reenters Claire’s (Catherine Frot, Marguerite) life just as both their lives are about to change drastically. Claire is a midwife who’s clinic is about to shut down and it’s the one place she’s really alive. Béatrice disappeared from her life without explanation many years early, but suddenly wants to be a part of it again? Claire isn’t so sure. Though there are other storylines in the movie, the center is these two starkly different women growing to rely upon one another.

The Brand New Testament

Looking for a fun flick that isn’t on everyone’s lips yet? Look no further than The Brand New Testament. This absurdist film from Belgium starts with a blasphemous premise. God lives in an apartment in Brussels with his wife (Yolande Moreau) and 10-year-old daughter Ea (Pili Groyne) who are never allowed to leave said apartment. This Old Testament vengeful and angry God (Benoît Poelvoorde) sits around all day in his bathrobe, drinks beer, controls the world through his computer, and thinks up “devilish” ways to harm and annoy the humans he created. But his meanness goes too far for Ea, so she sneaks into his locked God cave and sends text messages to everyone on earth with their death dates. Knowing Daddy won’t be amused, she talks with JC, her statue of her brother, who tells her how to get out of the house. And so little Ea gets her first taste of humanity.

Potiche

Potiche is a delightful chique flique or peut-être une comédie romantique starring two of France’s biggest stars, Catherine Deneuve and Gérard Depardieu. Mostly it is Deneuve’s show, as the trophy wife (la potiche) Suzanne Pujol who realizes her real potential when she takes the reins at her family’s umbrella factory (a nod to Deneuve’s classic Umbrellas of Cherbourg) after her philandering husband has a heart attack. Set in 1977, the film is full of women’s lib moments and silly 70s pop culture references, including a scene where Deneuve and Depardieu disco à la Saturday Night Fever.