Currently browsing the "Janelle Monae" tag.

Review: The Glorias

There is a line near the end of The Glorias about going in circles – as women, as a society, as a nation. A reminder, underscored in recent days by the death of liberal stalwart RBG and the nomination of a conservative to take her place on the Supreme Court. There’s an inherent, bitter irony in Ruth Bader Ginsburg having helped pave the way for an Amy Coney Barrett to take a seat at the Court and potentially unravel much of what RBG stood for. So perhaps the time is ripe for a movie like The Glorias, imperfect as it may be. The film reflects on the journey of journalist, feminist icon and social political activist Gloria Steinem as she helped build and guide the women’s movement from the 1960s until… well, at the age of 86, she is still alive and very much in the game.

Quickie Review: Antebellum

Antebellum could have been a seminal film for the times – if the story made any sense. It aims high, but gets bogged down in a metaphorical morass about past and present issues relating to race, class and gender. The film is billed as a high-concept psychological thriller/horror movie from the producers of the Jordan Peele gems Get Out and Us. But it fails to measure up, and the ending is far from satisfying. Fortunately, it was under two hours so the time did not feel like a total waste. More like a disappointment.

Review: Harriet

Harriet Tubman was an extraordinary woman and she deserves to have her story told (and to be on the $20 bill.) She was a tiny, illiterate slave, but she was also fearless and smart. She escaped her bondage, but returned into hostile territory to bring hundreds more people to freedom as a key figure in the Underground Railroad. And this new film Harriet touches all the high points of her heroic tale. But despite a great cast doing their best, the film never really rises to the level her amazing story deserves.

Hidden Figures

How did we not know about this story before now?! That’s the biggest question I had after watching Hidden Figures, what I venture to call the best feel-good movie to hit theaters in recent weeks, months, or possibly even years. It’s based on the fascinating, true story of three African-American women who were part of a segregated ‘human computer’ division at NASA that ‘did the math’ that helped send astronaut John Glenn into orbit at the height of the space race in the early 1960s. Talk about the right stuff. These women had it.

Moonlight

Moonlight doesn’t have any major star-power going for it, but the film could easily become one of those smaller, underdog indies that breaks through the field this Awards season– if enough people see it and word of mouth spreads. It’s a poignant drama adapted from a play called “In Moonlight Black Boys Look Blue” by Tarell Alvin McCraney. The film chronicles a young black boy’s tumultuous and painful journey of self-discovery and sexual identity as he grows up in a rough Miami neighborhood. Three different actors portray the lead character Chiron (Alex Hibbert, Ashton Sanders, Trevante Rhodes), and the transitions are impressively seamless.