And the Oscar Goes To… Not a Clue

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Quickie Review: Silk Road

Silk Road starts with a disclaimer. “This story is true. Except for what we made up or changed.” In other words, creative and dramatic license was required to turn this cyber crime story into something resembling a crime thriller. We’ve got the suspect’s IP address!! Woo-hoo!

Review: The Aftermath

I’m not normally one for period dramas but I was intrigued by the basic premise of The Aftermath: former enemies forced to reconnect on various levels of humanity in the immediate aftermath of World War Two. If that had indeed been the driving narrative, The Aftermath might have presented a fascinating exploration of a story rarely (if ever) told on the big screen. Alas, the movie merely claims a unique setting for a standard, superficial love story about two grieving strangers who find comfort in each other’s arms, sacrificing one relationship for another. It’s not a bad story; it just represents a missed opportunity to tell a better one.

Quickie Review: Serenity

Chances are you’ve already heard or read: This movie kinda sucks. So I won’t delve too deep into the waters of this fish tale gone awry. Suffice it to say, I expected more (better?) from a stylized thriller with an A-list cast that includes Matthew McConaughey, Anne Hathaway, Diane Lane, Jason Clarke and Djimon Hounsou. I’m not one to automatically subscribe to the “If it’s released in January, it’s gonna stink” theory. Heck, The Kid Who Would Be King is actually pretty good. And M. Night Shyamalan’s Glass is looking better by the day! So what happened here? I have to believe that the cast saw something Inception or Interstellar-like in writer/director Steven Knight’s script that simply did not translate onto the screen. It fails quite spectacularly, mainly due to a plot twist that – tempted as I may be – can’t be revealed without spoiling the whole kit and caboodle. Here’s the general set-up: A fishing boat captain named Baker Dill (McConaughey) is hired by his femme fatale ex-wife Karen (Hathaway) to take her abusive current husband Frank (Clarke) out on a fishing trip and feed him to the sharks. For his troubles, she’ll pay him 10 million dollars. That’s a lot of tuna.

Everest

The biggest star of Everest is the mountain itself. So if you plan to see the movie, you’ve got to spring for the IMAX 3D. Bring popcorn – and oxygen! In many ways, the movie is reminiscent of Gravity (which I liked visually, but disliked narratively), only this time, the action takes place on a mountain instead of deep space. It’s an immersive experience that offers a glimpse into what drives certain adventure-seekers to pay big money to forego hot showers, oxygen, and terra firma, in a potentially fatal effort to summit the world’s tallest peak. The movie is based on the true story of one deadly day on the mountain: May 10, 1996. Climbers from two expeditions got caught up in an unexpected, violent snowstorm while making their final ascent toward the summit.

Terminator Genisys

He’s back! In this Terminator reboot, Arnold Schwarzenegger reprises his iconic T-800 cyborg, only this time he gets to age. Emilia Clarke (Daenerys Targaryen from Game of Thrones) steps easily into the role of Sarah Connor and Jason Clarke (no relation) plays a grown up John Connor. Jai Courtney (Insurgent & Divergent) is the hero Kyle Reese sent back from the dystopian future to save humanity and fall in love with Sarah. A lot of the original elements are the same, but thankfully, the writers liked playing with the concept of time travel and they serve up a new story with a lot of familiar beats. It works as a stand alone, though probably is more fun if you’ve seen the original.