And the Oscar Goes To… Not a Clue

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Review: TOP GUN: MAVERICK

As sequels 30+ years in the making go… TOP GUN: MAVERICK delivers at mach speed. The high-adrenaline action drama is like a remake, homage and sequel all rolled into one. If you’re like me and can recite most every line of the 1986 classic, then you’ll feel very much at home with the pacing, characters, and latest shenanigans of fearless Naval aviator Capt. Pete “Maverick” Mitchell (Tom Cruise).

“Son, your ego’s writing checks your body can’t cash.” “I feel the need; the need for speed.” “Negative, Ghost Rider, the pattern is full.” “You can be my wingman anytime.” I could go on… but I digress! The dialogue in TG: MAVERICK may not be quite as quotable as those particular gems, but it’s close enough to elicit a chuckle, lump in the throat, or a flash of memory–seemingly right on cue. “Talk to me Goose.”

American Pastoral

American Pastoral starts off strong, then takes a turn down a very long, dark and twisted road that I was more than ready to exit by the end of the film’s 108 minute running time. It felt much longer. The film is based on a 1997 Philip Roth novel that tells the story – over several decades – of Seymour “Swede” Levov (Ewan McGregor), a man who seems to have it all: He excels in sports at his New Jersey high school, becomes a successful businessman, marries a beauty queen, Dawn (Jennifer Connelly), and builds a seemingly idyllic life for himself and his family in a small town outside Newark. But his daughter Merry (Dakota Fanning) is a nut job. She gets mixed up with a bunch of radicals in the turbulent 1960s and disappears after being accused of a murderous act. Dawn has a breakdown, then a facelift, and seems content to never see Merry again. But Swede refuses to give up on his beloved daughter and embarks on a years-long quest to find her. The journey takes a heavy toll on Swede – and the audience.

Noah

I’m no biblical scholar, but I’ve heard the story of Noah and the flood a few times. I suspect there are not many who haven’t. In a nutshell: “The Creator” talks to Noah. He tells him to build an ark. He does and there is a flood. And there are a lot of animals involved. In the latest cinematic iteration of the story, there are not a lot of surprises. But there are some big time special effects and this one feels like Transformers meets A Beautiful Mind with a touch of Lord of the Rings and a heavy dose of your faith of choice. Noah is not a Cecil B. DeMille reverential telling, but a Darren Aronofsky (Black Swan, Requiem for a Dream) psychological/environmentalist drama. It’s loud and messy and pretty entertaining.