Currently browsing the "Keira Knightley" tag.

Review: Official Secrets

Remember back in 2003, when US Secretary of State Colin Powell went before the United Nations to make the case for war against Iraq, basing his appeal on what later turned out to be false intelligence linking Saddam Hussein to Al-Qaeda and Weapons of Mass Destruction? Of course you do. Need a refresher, or a reason to get your blood boiling all over again? Official Secrets should do the trick.

Review: The Aftermath

I’m not normally one for period dramas but I was intrigued by the basic premise of The Aftermath: former enemies forced to reconnect on various levels of humanity in the immediate aftermath of World War Two. If that had indeed been the driving narrative, The Aftermath might have presented a fascinating exploration of a story rarely (if ever) told on the big screen. Alas, the movie merely claims a unique setting for a standard, superficial love story about two grieving strangers who find comfort in each other’s arms, sacrificing one relationship for another. It’s not a bad story; it just represents a missed opportunity to tell a better one.

Review: Colette

Colette is considered to be the greatest French writer of the 20th century, and how she rose from her humble country girl roots to be the toast of Belle Époque Paris society is a truly entertaining and inspirational story. Bringing her to life in this fine biopic is Kiera Knightly in one of her best performances. Colette was an early fighter for women’s equal treatment and the film is a beautifully shot #GirlPower story. This not the big biography of Colette though. It’s the first chapter of her story, the story of how Sidonie-Gabrielle Colette became Colette, how she became a writer, and how she became an independent woman. There is so much more to her story, but this small part makes for a fun ride.

Collateral Beauty

Collateral Beauty is a bittersweet drama that could be either a tough watch, or cathartic, for anyone feeling the pain of loss during the holiday season. If I had to pick a target demographic, I’d go with fans of A Christmas Carol, It’s a Wonderful Life, or (to allude to something more current) the television drama This Is Us. It’s about finding the good – the collateral beauty – when life hurls a few ugly curveballs.

Everest

The biggest star of Everest is the mountain itself. So if you plan to see the movie, you’ve got to spring for the IMAX 3D. Bring popcorn – and oxygen! In many ways, the movie is reminiscent of Gravity (which I liked visually, but disliked narratively), only this time, the action takes place on a mountain instead of deep space. It’s an immersive experience that offers a glimpse into what drives certain adventure-seekers to pay big money to forego hot showers, oxygen, and terra firma, in a potentially fatal effort to summit the world’s tallest peak. The movie is based on the true story of one deadly day on the mountain: May 10, 1996. Climbers from two expeditions got caught up in an unexpected, violent snowstorm while making their final ascent toward the summit.

Laggies

Laggies is an easy breezy chick flick – good for a few laughs, a bit of drama, a somewhat relatable story, and solid performances from Keira Knightly, Chloë Grace Moretz, and (still) one of the most under-appreciated actors of our time, Sam Rockwell (case in point: The Way, Way Back). The film is ultimately about growing up, taking responsibility for your choices in life, and finding your path.

Begin Again

Begin Again is all about the transformative power of music. In it a down on his luck, alcoholic ex-record company executive discovers a down on her luck songwriter and the two of them help one another come back into the world of the living. That the two are played by Mark Ruffalo and Keira Knightley helps this pretty simple story become more than the sums of its parts. It is a thoroughly entertaining little film, especially for music lovers.

Anna Karenina

If ever there were a Chick Flick shoo in, this should be it. A tragic heroine foolishly throwing off her shackles for a forbidden love, and all wrapped up in really beautiful clothes — not to mention adapted from one of the greatest of all Russian novels. Anna Karenina stars Keira Knightley and is directed by Joe Wright who also made Atonement and Pride and Prejudice with her in the lead. In case you never read the book, the basic story is that Anna is married to a Russian aristocrat and high-ranking civil servant (Jude Law). They have a young son she adores, but a chance meeting with a handsome young army officer, Count Vronsky (Aaron Taylor-Johnson), changes her very staid life in every way possible. It is love at first sight, and in late nineteenth century Russian society, even rich women had few rights and a long list of rules they were required to live by. Having a very visible affair was definitely not an option.

A Dangerous Method

Michael Fassbender has been one extremely prolific actor this year, first as the arrogant Mr. Rochester in Jane Eyre, then playing Magneto in X-men: First Class, then as the tortured sex addict in Shame, and now he gives us psychoanalyst Carl Jung in A Dangerous Method. What a range of characters! I think Jung may be his best performance (I didn’t see Magneto, but…), and A Dangerous Method is the best film in the bunch.