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Review: TÁR

I am quite late with this review (the film is out in theaters) because I’m still trying to figure out how best to give it a fair shake. I was totally on board for the first half-hour (not counting insanely long opening credits that are usually reserved for closing credits). But somewhere over the next two-plus hours, I lost interest in all but Blanchett’s general command of the screen, and the music. TÁR kicked off like a classical-music spin on “Inside the Actor’s Studio.” We meet Lydia Tár (Cate Blanchett), a brilliant American conductor at the height of her career. She’s leading a major German orchestra, preparing for a book launch and a much-anticipated live performance of Mahler’s Fifth Symphony (apparently a big deal if you’re into that sort of thing), and she’s even got an EGOT! That little tidbit was my first clue that Lydia Tár is a fictional character. At first, I wasn’t sure.