Currently browsing the "Tom Hiddleston" tag.

Spoiler-Free Review: Avengers: Infinity War

I don’t know what to say. Really. There’s little to say, without giving too much away. So here’s the spoiler-free gist: The Avengers – and their superhero allies from across the Marvel Cinematic Universe – engage in what may be their deadliest showdown of all time. Iron Man, Thor, Hulk, Scarlet Witch, Black Widow, Spider-man, Captain America, Black Panther, Dr. Strange, and others too, join forces with the Guardians of the Galaxy (Star-Lord, Gemora, Groot, Drax, Rocket Raccoon, etc.) to defeat a mighty alien named Thanos who aims to eliminate half the universe. Thanos’s misguided plan for population control rests on his ability to collect all six brightly-colored “Infinity Stones” that can manipulate elements of time, space, reality, power, the mind, and the soul. If Thanos (Josh Brolin) succeeds – all hell breaks loose, and a lot of people die. In other words, the stakes are higher than high for this epic action adventure sci-fi fantasy flick.

Avengers, assemble! And bring reinforcements! Victory is not guaranteed.

(Spoiler-free) Review: Thor: Ragnarok

What exactly is Ragnarok? I’m not quite sure and I don’t really care. What I do know is this: Thor: Ragnarok is a very funny superhero action-adventure sci-fi fantasy movie that zips to the top of my list of ‘guilty pleasure’ popcorn movies for 2017. Is it ‘THE BEST MARVEL MOVIE EVER!’ as some have proclaimed? No. But it is one of the most entertaining, as long as you’re familiar – to some degree – with the Marvel universe (i.e. the Avengers, Hulk, Iron Man, Captain America, Doctor Strange, etc.) and have a solid appreciation for the tongue-in-cheek tone of a Deadpool or Guardians of the Galaxy. The more Marvel movies you’ve seen, the more you’ll get out of Ragnarok. It’s packed with hidden gems, celebrity cameos, sly innuendos, inside jokes and character development that builds off relationships established in earlier films featuring the various Avengers working solo or as a team. No spoilers. Just the gist:

Cinema Clash podcast: Kong Skull Island; The Ottoman Lieutenant; The Last Word; Neruda; The Marseilles Trilogy

On this edition of the Cinema Clash with Charlie and Hannah: An epic monster movie that’s thin on story but big on spectacle; a love triangle wrapped in a weak war drama set in the Ottoman Empire; Shirley MacLaine gets the The Last Word in a film that Charlie detests and Hannah struggles to defend; a Chilean poet-turned-politician gets the fictionalized biopic treatment; and not one, not two, but three French films for the cinephilic Francophile (aka Charlie). Ooh-la-la! Listen now, or download for later!

Kong: Skull Island

Kong: Skull Island is a monster movie spectacle. If you like the likes of King Kong, Godzilla, and Jurassic Park, with a bit of Apocalypse Now thrown into the mix, then you’ll surely be satisfied with Kong: Skull Island. If the aforementioned titles don’t get your cinematic juices flowing, then you can skip this latest spin on a really, really big ape and the island he reigns over. I didn’t not like it, but I wasn’t blown away either, because I’m simply not a monster movie maven. It took me decades to get around to seeing the original Jurassic Park. This film has a similar vibe. Humans invade the turf of giant creatures and pay a hefty price.

Mainstream Chick’s Quick Takes: Money Monster; A Bigger Splash; High-Rise

Money Monster is a satisfying crowd-pleaser that definitely benefits from the established rapport between lead actors George Clooney and Julia Roberts and the solid direction of Jodie Foster. Clooney plays an outlandish, self-centered, Jim-Cramer-Mad-Money-type financial TV host named Lee Gates who shares stock tips with what he thinks is an adoring public. Roberts plays his producer/director Patty. She’s the one who keeps Gates and the show on track from her seat in the Control Room. Their usual routine is disrupted on live television when a disgruntled investor named Kyle (British actor Jack O’Connell looking and sounding as American as apple pie) gets into the studio, straps an explosive vest on Lee, and demands to know the source of a so-called ‘glitch’ that caused a particular stock – and his investment- to implode. The result is a tense conspiracy thriller with enough light moments peppered throughout (including some funky dance moves from Clooney) to boost the overall entertainment factor. Money Monster doesn’t really need to be seen on the big screen, but it’s the best of the week’s new offerings for anyone just looking for a solid, well-paced drama with star power.

Thor: The Dark World

If you’re a fan of the science-fiction-fantasy-action-adventure-superhero genre, then you’ll get a kick out of the latest Thor flick. It’s not the best of the ‘Avengers’ movies, but it still holds its own as a source of mindless entertainment. No disrespect intended for those who actually grasp the mythology of Asgard, the Nine Realms (including Earth), and characters with names like Malekith, Odin, Sif, Fandral and Volstagg. It’s just that I tend to get a bit lost in the universe best understood by Comic-Con aficionados. Overall, I enjoyed Thor: The Dark World, but there’s really no need to see this one in 3D. Put the extra cash toward popcorn. The ‘eye candy’ comes with the price of admission. I’m not sure why Thor (Chris Hemsworth) felt compelled to take his shirt off in one particular scene, but hey, I’m not complaining.

War Horse

A boy and his horse are at the center of this Steven Spielberg family drama, adapted from the Tony winning stage play, which was an adaptation of a children’s book. It is a typical Spielberg film, tugging on your heartstrings to the emotive strains of John Williams. Set in the beautiful English countryside, a strapping young lad, Albert, witnesses the birth of an amazing horse and watches as he matures into a gorgeous thoroughbred. Then in a stroke of luck, when he comes up for sale, Albert’s father is crazy enough to buy him, instead of a plough horse, which is what they really need. But unfortunately, World War One soon separates the young man from his beloved steed named Joey, and the film follows this incredible animal’s odyssey through the war and finally (and miraculously) back to his favorite human.