And the Oscar Goes To… Not a Clue

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Arty Chick’s Seven Flicks: Week 1

What are you streaming this week? When the COVID-19 pandemic began, I started a list on my Facebook page, posting a film I love every day. That list has grown, and is still growing, edging up past 150 films. It is getting a little harder to choose a new film. But I’ve remembered a lot of great movies that I’ve watched over the years and they span all genres and eras. And sometimes one film will remind me of another or an actor that I’d forgotten. I’ve stayed away from the last decade because there are a million “best of” lists that included them. These are films that have stayed with me. Some are obscure, and some no doubt skew to my more “arty” taste. But I am sure you’ll find something to watch that will fill that pandemic hole.  I’ll be posting them in batches of 7 each week, until I have nothing more to say. That could take a while.

 

Review: Helmut Newton: The Bad and the Beautiful

If you spent any time reading or viewing Vogue from the 60s to the 90s, you are familiar with photographer Helmut Newton’s work. Naked women often in power poses, most notably in black and white, were his trademark. He died in 2004 still at the top of his game. A German Jew whose family fled in 1938, he’d already apprenticed with one of Germany’s top photographers, and eventually landed in Singapore, then Australia, where his fashion photographer career blossomed. Helmut Newton: The Bad and the Beautiful talks to the models who posed for him, the editors who hired him, as well as friends, admirers, and detractors. Grace Jones, Isabella Rossellini, Charlotte Rampling, Marianne Faithfull, and Claudia Schiffer sing his praises. Anna Wintour loved his work. Susan Sontag calls him a misogynist. I always thought of him as Sontag did, but the documentary gave me a different view of the women who worked with him and his view of his own pictures. And we’re far enough from the work and the culture of the time to see them in a new light.