And the Oscar Goes To… Not a Clue

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Review: Let Him Go

Let Him Go is a slow burn. That takes a turn. That’ll make you squirm. Perhaps if you’ve read the 2013 novel “Let Him Go” by Larry Watson, the shocking moments won’t be quite as shocking. But for the rest of us, it’s enough to go… YIKES. Forewarned is forearmed, so brace yourself for a rough ride, especially toward the end.

The film’s lead actors Kevin Costner and Diane Lane have worked together before – in Man of Steel and Batman v Superman, playing Superman’s adoptive parents Jonathan and Martha Kent. In Let Him Go, they are, once again, a loving long-married couple living on a ranch (Montana, not Kansas) with a son who is the apple of their eye. But Let Him Go is no PG-13 superhero flick. It’s a character-based adult thriller set in the American West in the early 1960s. The landscape is beautiful and Costner and Lane share an easy on-screen chemistry, which could lull you into a false sense of cinematic security as the story begins to unfold.

Review: Ordinary Love

Ordinary Love offers a master class in quiet, meaningful, relatable and subtle performances from two veteran actors, Lesley Manville (Phantom Thread) and Liam Neeson (Taken, Schindler’s List). They play Joan and Tom, a loving, long-married couple whose comfortable routine is disrupted by an unexpected diagnosis of breast cancer. The film shines a light on the everyday challenges a couple can face while attempting to navigate uncertainty, illness and grueling treatments with a sense of humor, grace and intimacy. There’s also tremendous sadness, anxiety, frustration and fear.

Review: Phantom Thread

Imagine a special episode of Project Runway co-produced by the BBC and Investigation Discovery, featuring Oscar-winner Daniel Day-Lewis as a meticulous and obsessive designer who takes Tim Gunn’s “make it work” mantra to a whole new level. Set it in 1950s London. Throw in a bit of dry British humor, a strong-willed muse and some creepy family dynamics. And you’ve got Phantom Thread, the eighth movie from director Paul Thomas Anderson, and his second with Day-Lewis (There Will Be Blood). Anderson movies are a bit of an acquired taste that I have yet to… well, acquire. So I’m not all that surprised that Phantom Thread failed to win me over despite its strong performances and killer wardrobe.

Another Year