Currently browsing the "Leslie Mann" tag.

Quickie Review: Motherless Brooklyn

Motherless Brooklyn is the type of film that evokes a general sense of post-viewing contentment, and a lingering feeling that it could have been more. Perhaps with a bit more drama, or a bit more emotional pull, it could have escaped the somewhat bland “yeah, it was good” category, i.e. perfectly fine for streaming or watching on an airplane or killing time if Terminator films are not your speed. Motherless Brooklyn operates at a slow, stylized pace. The story is interesting and relevant. The actors are all very good, and the noir production design and cinematography casually and convincingly immerses the viewer in 1950s New York. Motherless Brooklyn is a crime drama with a gumshoe aesthetic and a unique twist. The main character Lionel Essrog (Edward Norton, Birdman) is a private investigator with Tourette’s Syndrome, a disorder involving the nervous system that causes involuntary tics, sounds and movements. His condition results in some awkward situations as Lionel attempts to solve the murder of his boss, mentor and only friend Frank Minna (Bruce Willis).

Review: Blockers

The premise certainly sounds horrifying and offensive: When three parents discover their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal. Sounds like a laugh riot, right? Well, as much as I hate to admit it, Blockers is quite funny. It’s also a hard ‘R’, so don’t be cueing this one up for Family Movie Night.

How to Be Single

Apparently, I’m doing it all wrong. Then again, I’m not really sure what the takeaway is supposed to be for this movie. I just hope it doesn’t reel in the underage crowd hoping to see Rebel Wilson reprise her role from (the PG-13 rated) Pitch Perfect 2. How to Be Single is rated R. And the ‘R’ isn’t for romance. The movie is about hook-ups, misguided attempts to find a love connection, friendship, online algorithms, a few intangibles, a lot of sex and alcohol jokes, and other stuff related to being single in the big city. It aims to be a romantic comedy but generally misses the mark. It’s actually kind of sad. But a lot of single gals will likely gather for a cosmo or two and flock to it anyway, and others might drag the boyfriends along. Happy Valentine’s Day!

The Other Woman

The Other Woman is a bit weak, but it does fill a void in the chick flick comedy department. It’s got sort of a Bridesmaids meets Nine to Five meets First Wives Club kind of vibe as three women team up to plot against a dude who’s been lying to, and cheating on, all of them.

This Is 40

Writer/director Judd Apatow’s midlife crisis comedy This is 40 is not that funny, or even that good – especially for a movie that the studio has been touting for major awards consideration. Best Picture? Seriously?! I’m a firm believer in the whole ‘write what you know’ philosophy. But in this case, art imitating life isn’t much fun to watch – even if you’re the target demographic: a happily or unhappily-married 30 or 40-something with kids. If you’re looking for validation or commiseration, you’ll certainly find that here. But if you’re looking for a cinematic escape, pick something else (scroll through our site – there’s lots to choose from!).