And the Oscar Goes To… Not a Clue

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Review: Nomadland

Nomadland is not a film that is easy to categorize. It’s a hybrid drama/documentary, an adaptation of the non-fiction book “Nomadland: Surviving America in the Twenty-First Century“, centered on a 60ish widow whose life has taken a downturn following the 2008 Great Recession, so she lives in a van and floats from campground to campground getting to know the other denizens in the same boat. Directed by Chloé Zhao who helmed The Rider in 2018, it continues her penchant for taking a true story and fictionalizing it with actors alongside non-actors who are part of the real story. The wonderful Frances McDormand (Three Billboards Outside Ebbing, Missouri, Fargo) stars as Fern. She’s solitary and resolute and not one to feel sorry for herself or her situation. It’s a quietly powerful film, with a dark undercurrent in a subculture of forgotten seniors barely scratching by, but doing it together.

Review: Holler

Set in the grim milieu of America’s Rust Belt, Holler is Ruth’s story.  Wicked smart and strangled by her impoverished circumstances, she and her older brother Blaze (Gus Halper) are just keeping their heads above water and her future is not looking up. Drug addicted Mom (Pamela Adlon) is in prison, waiting for a place in rehab, and Ruth and her brother are in serious danger of eviction. They spend all their free time searching for cans to sell to the local scrap yard. But Ruth is about to graduate and unbeknownst to her Blaze mailed in the college application she’d fill out, and she was accepted. She just needs to find the funds to get there. And there’s the rub.

Arty Chick’s Oscar Ballot

Update: I began my Oscar viewing thinking the show was fun and creative, but it went totally off the rails about half way through and ended in the most abrupt and confusing way possible, mostly because I think they assumed that Chadwick Boseman was going to win and they’d go out on an emotional note, and then he didn’t. Please, please next year, make it a show worth watching.  As for my ballot, I knew going in that I wasn’t going to get a lot of them right, and I was entirely correct! But I did get those surprises I asked for.  I only got 10/23, and I stand by my choices. I’ve annotate my original with the winners *bolded*.  ?. 

Between the two of us , we saw most of the films that are nominated this year and reviewed most of them here at Chickflix, so if you’re filling out a ballot (here’s one you can download), you can use this to read up on all the ones you might have missed, though we did miss a few. But it’s also my ballot, with my picks *bolded*. I’ll say right up front, I know a lot of my choices are non-mainstream and I won’t win any pools with this ballot, but I’m okay with that!

So happy Oscars! Here’s hoping the producers pull off a creative and entertaining pandemic-limited show. And I am hoping for a few surprises in the voting, too.

 

Tune in Sunday April 25, 2021 at 8pmET/5pPT on ABC.

Mainstream Chick’s Oscar Picks for 2021

UPDATE: In what I found to be a rather boring presentation of the awards, I ended up with a score of 16/23. Not too bad all things considered. It was a weird year in film – and life. I look forward to next year and hope it is filled with more joy – and music! -hb

Let’s just go ahead and make it official – my picks for the 93rd annual Academy Awards being handed out Sunday, April 25, 2021 after a long COVI-Delay. I discussed them all with my cinematic nemesis Charlie Juhl on a recent episode of “The Cinema Clash.” But just in case you missed it (wine wager and all) and/or haven’t filled out your own ballot yet… this may or may not help your chances of winning the remote office pool! I don’t know the order in which the awards will be announced, so I’m following the Oscars 2021 Play Along Ballot, except for Best Picture, which I’m saving for last. So, without further ado…