And the Oscar Goes To… Not a Clue

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Review: Cinderella

This latest take on the fairytale classic is actually quite entertaining and refreshingly different while still retaining a comfortable air of familiarity. Just don’t expect to hear the enduring, trademark songs of Rodgers & Hammerstein. 2021’s Cinderella features a modern twist, with modern music that includes some original songs and a bunch of covers, from Madonna to Queen and stuff in-between. The contemporary live-action film opens with a toe-tapping production number showcasing a hip array of subjects in the Kingdom of Rhythm Nation, where Ella (Camila Cabello) resides in the basement of a home with her stepmother (Idina Menzel) and step-sisters (Maddie Baillio, Charlotte Spencer). The ‘steps’ aren’t exactly evil in the tradition of most “Cinderella” tales, but they aren’t a loving, supportive bunch either.  Jealous much? 

Review: Uncut Gems

Adam Sandler is one of the most exasperating actors out there. He’s made a slew of horrible, stupid movies (The Waterboy, Billy Madison), and yet every now and again he proves that he can actually act (Punch-Drunk Love, Spanglish). Now he’s getting all kinds of awards season love for his performance in Uncut Gems and deservingly so. It’s one of those roles where you’re simultaneously rooting for the guy and hoping for his comeuppance. His Howard Ratner is not a good guy. He’s a loud, frenetic gambling addict who’s cheating on his wife (Idina Menzel) with one of his employees (Julia Fox) and taking advantage of everyone he meets. But when he procures a huge black opal smuggled in from Ethiopia with plans to auction it off to settle his considerable debts, he feels like things are finally going his way. But from the moment the stone comes into his life, everything spins even further out of control than it was before. And you’re with him for every single anxiety inducing minute of it.

Review: Frozen II (aka Frozen 2)

Oh c’mon, did you really expect Frozen 2 to be as good – or even better – than its predecessor, the highest-grossing animated film of all time in worldwide box office? Did you really expect, or even want, another “Let It Go”? If so, you’re in for a bit of a letdown with this perfectly safe and pleasing sequel to the 2013 mega-hit that introduced us to royal sisters Elsa and Anna and the picturesque, Norwegian-esque Kingdom of Arandelle.

Frozen

Frozen feels a lot like a broadway musical converted into a Disney animated movie. And that’s just fine by me. Case in point: