Currently browsing the "Matthew McConaughey" tag.

Review: The Gentlemen

The Gentlemen is a stylish crime caper with writer/director Guy Ritchie’s fingerprints all over it. It’s very much a “Guy” movie – and a “guy movie”, with a splash of estrogen provided by Michelle Dockery (Downton Abbey) in some lethal-looking Christian Louboutin stilettos. She’s surrounded by an A-list cast of chaps including Matthew McConaughey, Charlie Hunnam, Henry Golding, Jeremy Strong, Eddie Marsan, Colin Farrell and Hugh Grant winding their way through a witty and wily narrative about drug syndicates, blackmail, bribery, murder and all-around mischievousness. The plot thickens, and thins, simmers and boils over to yield a dish that’s a bit messy, but still tastes good.

Quickie Review: Serenity

Chances are you’ve already heard or read: This movie kinda sucks. So I won’t delve too deep into the waters of this fish tale gone awry. Suffice it to say, I expected more (better?) from a stylized thriller with an A-list cast that includes Matthew McConaughey, Anne Hathaway, Diane Lane, Jason Clarke and Djimon Hounsou. I’m not one to automatically subscribe to the “If it’s released in January, it’s gonna stink” theory. Heck, The Kid Who Would Be King is actually pretty good. And M. Night Shyamalan’s Glass is looking better by the day! So what happened here? I have to believe that the cast saw something Inception or Interstellar-like in writer/director Steven Knight’s script that simply did not translate onto the screen. It fails quite spectacularly, mainly due to a plot twist that – tempted as I may be – can’t be revealed without spoiling the whole kit and caboodle. Here’s the general set-up: A fishing boat captain named Baker Dill (McConaughey) is hired by his femme fatale ex-wife Karen (Hathaway) to take her abusive current husband Frank (Clarke) out on a fishing trip and feed him to the sharks. For his troubles, she’ll pay him 10 million dollars. That’s a lot of tuna.

Quickie Reviews: The Dark Tower; Brigsby Bear; Detroit; Step; An Inconvenient Sequel; Escapes

The Dark Tower. I’m not a Stephen King purist so I didn’t go into this movie with the same high expectations as those who’ve read the series of books that The Dark Tower is based on. Perhaps that’s why I liked it – not a lot, but enough to slot it into the “acceptable summer cinematic escape” category for the 12-and-up crowd. It’s an action adventure fantasy flick with a confounding plot that boils down to a physical and psychological battle between good (Idris Elba as gunslinger Roland) and evil (Matthew McConaughey as creepy Man in Black) across parallel universes.

Sing

I’m a big fan of The Voice. I watched American Idol. I love musicals. The trailer for Sing looked awesome. And then I saw the movie. And I was bummed. The elements were all there for greatness (or at least very goodness), but it doesn’t come close to reaching its potential. In fact, I was bored for a big chunk of Sing, especially when the menagerie of animated pop-star wannabes weren’t singing. That’s not to say it won’t do (extremely) well at the box office. It will. It’s like The Secret Life of Pets (from the same studio, Universal Pictures/Illumination Entertainment). Pets wasn’t very good, but I’m convinced that kids and adults had psyched themselves up to like it – no matter what — based on the cute trailer and premise. The same will be true with Sing. Enough people will see it – and sing its praises – to put me in the minority. So go ahead. See it, and weigh in! I’m listening!

Interstellar

As an astute co-worker noted, ‘If Inception and Gravity had a baby, it would be Interstellar. It’s a mind-bender with an exceptional cast and a story that those of us who (intentionally) skipped Physics in grade school will surely fail to grasp. No spoilers here – ‘cause I’m not really sure what happened!

Anyway, fans of director Christopher Nolan’s 2010 brain-strainer Inception will surely appreciate this flick as well. And like last year’s Gravity, Interstellar needs to be seen on the big screen in all its IMAX glory. It’s experiential. Sometimes loud and pulsating (bring earplugs). Sometimes eerily silent.

The Wolf of Wall Street

Martin Scorsese’s latest film The Wolf of Wall Street is basically three hours of sex and drugs and pure unadulterated greed. It is another “based on a true story” flick, only this one is all about one truly despicable guy and his equally morally deficient friends and family. Sure, the “wolf” is played by Leonardo DiCaprio, who does all he can to make the greedy jerk human, but at the end of the day, it is a relentlessly long slog through a lot of pretty unsexy sex fed by a veritable pharmacy full of Quaaludes, coke, and top shelf alcohol. It’s a pretty underdeveloped story of a bunch of late 20th century conmen who made a killing by lying though their teeth and their years of living the “high” life in every sense of the word.

Dallas Buyers Club

Dallas Buyers Club is another of the “based on a true story” flicks this season vying for some awards love. It’s all about hard-partyin’, rodeo ridin’ Texas cowboy Ron Woodroof who was shocked to be diagnosed with AIDS in 1985 because it was then considered a “gay” disease. Shunned by his friends and unable to find the any treatment that would save him, he did his own research and found a doctor in Mexico with an effective drug combination. And when it worked for him, he recognized a great business opportunity in importing it for other AIDS patients. Matthew McConaughey starved himself into skeletal shape for the role, but fortunately his portrayal is much more than skin deep. It’s definitely an Oscar worthy turn!

Mud

Mud is a fairly straightforward adventure/coming-of-age story about a 14-year-old boy’s struggle to understand love and romance, while aiding and abetting a lovelorn criminal. Matthew McConaughey plays a fugitive named Mud, who happens to be hiding out on an island that teenagers Ellis (Tye Sheridan, Tree of Life) and Neckbone (Jacob Lofland)) have an interest in. When they meet up, they enter into an arrangement.

The Paperboy

My newspaper headline for The Paperboy would be: “Hot Mess” and not in a good, kinda campy way. It’s a creepy, sweaty melodrama set in the Florida Everglades circa 1969 — a jumble of sex and violence that never comes together into a coherent story. Director Lee Daniels, an Oscar nominee for “Precious,” was obviously going for something here, but what that was isn’t clear. What is clear is that he doesn’t shy away from scenes that will make you cringe — like the already infamous one where Nicole Kidman pees on Zac Efron, or the one where she and John Cusack mime sex acts to get each other off in a prison visiting room.

Magic Mike

Magic Mike is a movie with a split personality. It’s raucous fun that morphs into something surprisingly non-superficial (relatively speaking). Of course, if you’re in it strictly for the eye candy, that’s okay too. Channing Tatum and Matthew McConaughey do not disappoint. And neither do the rest of their cohorts at the fictional Xquisite male revue. It’s raining men – hallelujah, and all that jazz.