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Review: Spider-Man: Far From Home

I’m suffering a bit from early-summer superhero fatigue, so I fully acknowledge that my ailment could account for my less than enthusiastic endorsement of Spider-Man: Far From Home. It’s still an endorsement though. Because no matter my personal angst and anguish over the final moments of Avengers: Endgame, this latest entry in the Marvel Cinematic Universe does a solid job picking up the pieces from Endgame and moving the MCU forward. Spider-Man: Far From Home is an entertaining, somewhat bittersweet sequel that wears two hats: it’s a follow-up to 2017’s Spider-Man: Homecoming reboot (with a youthful Tom Holland swinging into the role full-throttle), as well as to Endgame, which must be seen first to fully appreciate and understand what’s going on in Spider-Man: Far From Home, the 23rd film in the MCU. In Far From Home, our friendly neighborhood Spider-Man from Queens, Peter Parker, is growing weary of the awesome responsibilities that come with global superhero status and is itching to be just a regular teenager again, at least for the summer. But a school trip abroad doesn’t exactly go as planned, and Peter is called upon to step-up, fill the void left by the Avengers shake-up, and help save his classmates – and the world – from a new, monstrous threat.

Review: The Greatest Showman

The Greatest Showman is the type of movie I could watch multiple times – not for the (so-so) plot – but rather, for the musical production numbers filled with heart, spectacle and earworms galore. If you don’t like Broadway musicals, The Greatest Showman won’t ring your bell. But if you’re a fan (as I am), you’re bound to enjoy this original movie musical that is, in essence, a Broadway show on the big screen. It doesn’t quite rise to the level of a Moulin Rouge or Les Miz, but like the circus that P.T. Barnum created, The Greatest Showman is fun for the whole family. And c’mon, who doesn’t like Hugh Jackman, the most versatile guy in show business?!